Wildlife by La Dispute free essay sample

La Disputes 2011 collection, Wildlife, delineates a youthful keeps an eye on close to home, natural selection esque battle as he dives upon a descending spiraling way of self-disclosure and figuring out how to manage the dull sides of life. The tracks on Wildlife are a variety of insane monologs, profoundly close to home sonnets and letters-set up with a good soundtrack. With productive verses, layered guitar and bass, and a general bitterness that will drive chills down your spine, the young men of La Dispute have delivered song as a collection for admirers of music and writing the same. It is anything but difficult to track down comfort in Jordan Dreyer, lead vocalists, radiant resonance, and shockingly, this rings most genuine to his all the more nerve racking commitments as the collections frontman. Simply tuning in to pivotal tracks, for example, the instructive King Park, I See Everything, and Edward Benz, 27 Times, Dreyers take on stories that he was informed by genuine individuals regarding genuine occasions, will leave you ruminative and with to some degree an unpleasant preference for your mouth-in the most ideal manner. We will compose a custom paper test on Natural life by La Dispute or on the other hand any comparative point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page One of the most significant pieces of Wildlife is the degree of closeness brought out by the way that Dreyer stays ready to remain vigorous in his presentation regardless of how tremulous and passionate he permits himself to be-you are never under the feeling that he is only some tension filled child. Indeed, even on substantially more near heart tracks, for example, a Poem, a Letter, a Broken Jar, and a Departure, which may from the start strike audience members as self indulging speak to a lot further implications and have a nice kind of insubordination to them that I have never found in some other melodies. By tending to the peruser legitimately with a combustible genuineness, Dreyer permits himself to associate with the audience in a way that I have never experienced tuning in to La Dispute. The general flagrance of Wildlife makes certain to leave your jaw unhinged, and quietly asking that the inquiry, Will their next discharge truly be so favorable? will have just lightening answers. My lone concern is that Wildlife will be their hardest work to top, since notwithstanding the way that La Disputes entire discography is splendid, the exceeded themselves with Wildlife by an overwhelming margin. How might they copy the virtuoso, fitful vocals, and the innovative instrumentation that carried such personality to them? Realizing La Dispute, the most philosophical band Ive ever been graced the chance to tune in to, theyll get through with a much progressively wonderful show-stopper next time around.

Parode and Related Terms in Ancient Greek Plays

Parode and Related Terms in Ancient Greek Plays Parode, likewise alluded to as parodos and, in English, the passage tribute, is a term utilized in old Greek theater. The term could have two separate implications. The first and increasingly normal importance of parode is the principal tune sung by the tune as it enters the symphony in a Greek play. The parode normally follows the play’s introduction (opening discourse). A leave tribute is known as an exode. The second importance of parode alludes to a side passageway of a theater. Parodes permit side access to the phase for on-screen characters and to the ensemble for individuals from the tune. In run of the mill Greek theaters, there was a parode on each side of the stage. Since the melodies regularly entered the phase from a side passageway while singing, the single word parode came to be utilized for both the side passage and the principal tune. Structure of a Greek Tragedy The normal structure of a Greek disaster is as per the following: 1. Preamble: An opening dialogueâ presenting theâ tragedys topicâ that occurred before the section of the melody. 2. Parode (Entrance Ode): The passage serenade or tune of the theme, frequently in an anapestic (short-short-long) walking mood or meter of four feet for every line. (A foot in verse contains one focused on syllable and at any rate one unstressed syllable.) Following the parode, the melody regularly stays in front of an audience all through the rest of the play. The parode and other choral tributes as a rule include the accompanying parts, rehashed all together a few times: Strophã ª (Turn): A verse where the chorale moves a single way (close to the altar).Antistrophà ª (Counter-Turn): The following refrain, in which it moves the other way. The antistrophe is in a similar meter as the strophe.Epode (After-Song): The epode is in an alternate, however related, meter to the strophe and antistrophe and is recited by the ensemble stopping. The epode is regularly precluded, so there might be a progression of strophe-antistrophe sets without mediating epodes. 3. Scene: There are severalâ episodes in which entertainers communicate with the tune. Scenes are regularly sung or recited. Every scene closes with aâ stasimon. 4. Stasimon (Stationary Song): A choral tribute in which the theme may respond to the first scene. 5. Exode (Exit Ode): The leave tune of the chorale after the last scene. Structure of a Greek Comedy The run of the mill Greek parody had a marginally unexpected structure in comparison to the commonplace Greek disaster. The ensemble is likewise bigger in a conventional Greek parody. The structure is as per the following: 1. Preface: Same as in the catastrophe, including introducing the point. 2. Parode (Entrance Ode): Same as in the disaster, yet the chorale takes up a position either possibly in support of the legend. 3. Agã'n (Contest): Two speakers banter the theme, and the primary speaker loses. Choral tunes may happen towards the end. 4. Parabasis (Coming Forward): After different characters have left the stage, the chorale individuals evacuate their covers and venture unusual to address the crowd. To begin with, the chorale chief serenades in anapests (eight feet for each line) about some significant, topical issue, generally finishing with a winded tongue twister. Next, the melody sings, and there are regularly four sections to the choral execution: Tribute: Sung by one-portion of the tune and routed to a god.Epirrhema (Afterword): A satyric or warning serenade (eight trochees [accented-unaccented syllables] per line) on contemporary issues by the pioneer of that half-chorus.Antode (Answering Ode): A noting melody by the other portion of the theme in a similar meter as the ode.Antepirrhema (Answering Afterword): An noting serenade by the pioneer of the subsequent half-ensemble, which leads back to the parody. 5. Scene: Similar to what happens in the disaster. 6. Exode (Exit Song): Also like what happens in the disaster.

SUPPLY CHAIN MANAGEMENT AND CONCEPT Case Study Example | Topics and Well Written Essays - 1500 words

Flexibly CHAIN MANAGEMENT AND CONCEPT - Case Study Example The organization has various choices for taking care of its concern including resourcing the containers from an alternate provider, or welcoming Deerfield to set up a little plant close by, a large portion of which don't meet the choice rules set. On this respect, the most plausible alternative is setting up its own embellishment apparatus and to employ the suitable mastery, to incorporate container creation with their filling line since it would yield better yields on interest in the long haul. Characterizing the issue or issue Crowning Glory Limited, a privately owned business that has developed by a wide margin in the course of the last 20 turning into a significant provider of hair-care items to the dressing table has as of late mulled over the gracefully of items to the retail advertise. Along these lines, the organization has struck an association arrangement to flexibly their Crowning Glory Shampoo to a retailer, which includes delivering huge amounts of their item to the reta iler’s territorial dispersion communities. To extend their creation and deals, the organization will require huge amounts of blow-formed containers, which its present provider Deerfield, whose plant is found 200 kilometers away, would gracefully. Be that as it may, Crowning Glory Limited will bring about higher bundling costs in transportation huge volumes of outside air, which is an enormous extent of the expense of delivering little containers of cleanser. In such manner, for the organization to enhance its item base expense adequately, it needs to get the blow-shaped containers at a lower and achievable expense. Examination of the case information with center around circumstances and end results A quickly developing organization like Crowning Glory Limited needs to consider extending its client base and enhancing its item advertise in the most productive manner, to accomplish ideal advantages while restricting expenses in light of the fact that as worldwide markets grow do es as well, rivalry. This makes flexibly chain the executives, which is the administration of data and material streams both in and between offices (Douglas and Griffin, 1996), an issue of worry to organizations today (Wisner, Tan, and Leong, 2012). This organization has accomplished huge acknowledgment because of its top of the line item that has gotten famous with clients prompting a genuine need to extend its appropriation, to fulfill the rising need for its item, and to take advertise administration. The organization is foreseeing to dispatch Crowning Glory brand through retail exchange, notwithstanding contracting other significant retailers for own image items; this will require the foundation of a gracefully chain that will be both responsive and savvy. The organization needs to guarantee that their item arrives at a more extensive market on schedule and cost successfully, to exploit short lead times over its rivals in the business. In such manner, the organization needs to r econsider its flexibly chain methodology, which includes rebuilding its appropriation lines to dispose of superfluous advances that might prompt interruptions in the gracefully chain (Sodhi, and Tang, 2012). It is not, at this point doable for the organization to secure formed jugs from its present provider because of cost suggestions, and potential deferrals in bundling, which could slow down the gracefully chain. Current Supply Chain and Product extend Characteristics Future Supply Chain and Product go Characteristics A completely adaptable item center creation with an accentuation around a particular line instead of various lines of item A spry cycle Inventory procedure, enough to fulfill interest for the item A constant recharging area technique, with offices in less

Emerging From Claustrophobia The Landscape of Redemption - Literature Essay Samples

The Bibles notion of the promised land has had a profound influence on secular literature. Modern authors have reinterpreted this biblical ideal to include any land of redemption or salvation. This is an important concept in both Dostoevskys Crime and Punishment and Kafkas Amerika. While these novels present very different images of the Promised Land, both focus on the protagonists sense of claustrophobia until the moment of deliverance. Thus, whether their deliverance is mental or physical, both protagonists salvations lay ultimately in a sense of spatial freedom.Amerika begins with a corrupted ideal of America as the land of redemption. Karl goes abroad because he has inadvertently impregnated a servant; he is sent away to escape from paternity charges and his societal sin. Parallels can be drawn between Karl and the biblical Joseph, who also must leave his home because he is similarly blamed for an older womans sexual advances. When Karl arrives in America, he is greeted by a brig ht light: a sudden burst of sunshine seemed to illumine the Statue of Liberty, so that he saw it in a new light. (3) This can be likened to the Israelites exodus, which is guided by a pillar of fire: And the Lord went before them by day in a pillar of a cloud, to lead them the way; and by night in a pillar of fire, to give them light. (Exodus 13:21) However, a crucial difference between the biblical guiding light and Kafkas is that, despite its brilliance, the latter illuminates a foreboding entrancethe Statue of Liberty holds a sword instead of a torch. Despite this detail, America, for the moment, remains a landscape of freedom: The arm with the sword rose up as if newly stretched aloft, and round the figure blew the free winds of heaven. This image suggests that America, the Land of Freedom, may also be Karls House of Bondage. Joseph has a similar experiencehe escapes Potiphars wifes advances only to be thrown in prison. When he manages to get out of prison, he becomes an importa nt figure in Egypt, the land where his people will eventually become slaves. Thus, Karl too goes unknowingly into a new land which may prove the antithesis of the Promised Land he thought it to be. His alienation is underscored in biblical terminology. He describes himself as fighting for justice in a strange land (22) as Moses refers to himself as a stranger in a strange land. (Exodus 2:22)Despite his idealized image of America, no doubt stemming from the European conception of America at the time as the land of opportunity, Karl discovers a country of oppression. At first, under his uncles tutelage, he feels well received and safe. But even then, he begins to be claustrophobic. In fact, before disembarking from the ship, he finds himself squeezed uncomfortably (5) in the stokers bunk. It is under this physical oppressiveness that Karl makes his first personal connection, with the ships stoker. This friendship soon disintegrates as Karl trades it for alliance with his Uncle Jacob. Despite his uncommonly plush lodgings at his uncles, Karl is almost a prisoner. His only contact with the city outside his room is the view from his balcony and windows, but he is kept from enjoying this pleasure by his uncle who frowned with annoyance if he ever found Karl out on the balcony. (40)The first time Karl leaves New York City, he goes to Mr. Pollunders country house. It is here that Karl feels the most overwhelmed by his claustrophobic surroundings. The house itself is oppressive. Mr. Pollunder says, Dont you find that one gets a kind of free feeling on coming out of the town into the country? He talks, thought Karl, as if he knew nothing about this huge house, the endless corridors, the chapel, the empty rooms, the darkness everywhere. (80) But it is not just the labyrinth of dark corridors that contributes to Karls claustrophobia: everything cramped him here (82). He feels attacked by Clara, to the point where he sees Mack, her fiance, as a deliverer. (69) He is physi cally trapped by his host when Mr. Pollunder questions him: And he put his arm round Karl and drew him between his knees. (79) When they are done talking, Karl finds that Mr. Pollunder has his arm tightly around him, and involuntarily he struggled to free himself from Pollunders arm. (82) He envisions a clear but impossible escape: the road leading to his uncle through that glass door, down the steps, through the avenue, along the country roads, through the suburbs to the great main street where his uncles house was, seemed to him a strictly ordered whole, which lay there empty smooth and prepared for him, and called to him with a strong voice. (82)However, once Karl leaves his uncle and his uncles friends, his journey leads him to more oppression and labor comparable to slavery. He finds work in Rameses, a town that shares its moniker with the biblical city the Israelites built while in bondage in Egypt: Therefore they did set over them taskmasters to afflict them with their burden s. And they built for Pharaoh treasure cities, Pithom and Raamses And they made their lives bitter with hard bondage, in mortar, and in brick, and in all manner of service in the field: all their service, wherein they made them serve, was with rigor. (Exodus 1:11-14) Karl describes the hotels workers with similar narrative force. He is shocked by the intensity of the work: he had had no conception of such work as this (198). After a twelve-hour shift, coming off duty at six oclock in the morning, he was so weary that he went straight to bed without heeding anyone. (148) The grueling work contributes to Karls progressive sense of enclosure and alienation. When Karl leaves the hotel, he finds himself trapped once again in a compromising position serving Brunelda, a domineering, obese woman whose puppet-like lover, Delamarche, Karl knows from his previous journey. As their mutual friend Robinson, who had been Bruneldas servant until Karls arrival, points out, this isnt service here, it s slavery. (242) Karl finds himself literally suffocated by Bruneldas fleshiness when he tries to escape: he flinched in an involuntary but unsuccessful attempt to escape from the pressure of her body. (248) She is the ultimate contribution to Karls claustrophobia: his head, which was pressed against her breast, he could move neither backwards nor sideways. (252)Thus, instead of a land of freedom, America becomes Karls land of bondage from which he must escape. His escape mirrors the biblical Exodus in its dramatic composition. Karl follows a job offer for the Nature Theatre of Oklahoma claiming, Everyone is welcome! Our Theatre can find employment for everyone, a place for everyone! (272) Karl notes that even destitute, disreputable characters (295) are hired. In the biblical exodus, Moses also insists on everyones inclusion. He will not even accept Pharaohs offer to let all but the cattle go: And Pharaoh called unto Moses, and said, Go ye, serve the Lord; only let your flocks and your herds be stayed: let your little ones also go with you. (Exodus 10:24) The Israelites leave Egypt in a hurry; they cannot take anything with them, or even wait for their bread to rise. Similarly, Karl notes that no one carried any luggage; the only thing that could be called luggage was the perambulator. (296) The dramatization of the hiring process recalls more biblical significance. The prospective employees journey is begun by passing through a field of women on pedestals: hundreds of women dressed as angels in white robes with great wings on their shoulders were blowing on long trumpets that glittered like gold. (274) These angels, signifying redemption, blow trumpets, which is a biblical signal to the Israelites to assemble and continue their journey: Make thee two trumpets of silver; of a whole piece shalt thou make them: that thou mayest use them for the calling of the assembly, and for the journeying of the camps. (Numbers 10:2) Trumpets also indicate deliverance: And if ye go to war in your land against the enemy that oppresseth you, then ye shall blow an alarm with the trumpets; and ye shall be remembered before the Lord your God, and ye shall be saved from your enemies. (Numbers 10:9)The Israelites, like the new employees of the Nature Theatre, have no concept of where they are going, but trust in the unknown promised land. Karls excitement is underscored by a long-awaited release from the confines of his previous life in America. Only now did Karl understand how huge America was. (297) The America Karl crosses on his way to Oklahoma holds new promise. Even the confines of his train compartment cannot take away his newfound feeling of freedom: Everything that went on in the little compartment, which was thick with cigarette-smoke in spite of the open window, faded into comparative insignificance before the grandeur of the scene outside. (297) Images of wide-open landscapes abound in the novels final scene. Masses of blue-black rock rose in she er wedges to the railway line; even craning ones neck out the window, one could not see their summits. (297-8) This landscape of mountains, valleys, and streams is in sharp contrast to the view from the balcony in Karls room at his uncles in New York, where he had little more than a view of one street, which ran perfectly straight between two rows of squarely chopped buildings. (38) Thus we expect Karl to find in the promise of Oklahoma the land of redemption his initial experiences in America did not offer.Crime and Punishment presents a character in a similarly claustrophobic environment whose redemption comes not in wide-open landscapes, but in prison in Siberia. However, for Raskolnikov, the protagonist who mentally torments himself after murdering a pawnbroker, prison provides release from a mental, rather than physical, claustrophobia and anguish.Like Karl, Raskolnikov is completely alone and poor in a strange environment. He lives in a small room, more like a cupboard than a place to live in tucked away under the roof of the high five-storied building. (1) The small enclosure contributes to Raskolnikovs claustrophobia: It was a tiny little cubby-hole of a place and so low that anybody of even a little more than average height felt uncomfortable in it. (23) This environment also contributes to Raskolnikovs isolation: A more slovenly and degraded manner of life could hardly have been imagined, but it suited Raskolnikovs present mood. He had resolutely withdrawn from all human contacts. (23) But Raskolnikov is also mentally alienated because he thinks himself superior to everyone else and therefore cannot relate to others. He agrees with a conversation he overhears: Kill her, take her money dont you think that thousands of good deeds will wipe out one little, insignificant transgression? Nature must be guided and corrected. (56) He uses this superman philosophy to justify his actions: What he contemplated was no crime. (61)After the murder, Raskolnikovs se nse of isolation grows due to his intense guilt and feverish delirium. Initially, he questions his sanity: A dark and tormenting idea was beginning to rear its head, the idea that he was going out of his mind and that he was not capable of reasoning or of protecting himself. (69) He feels so culpable that he doubts his own faculties: The conviction that everything, even memory, even the simple power of reflection, was deserting him, had begun to torment him unbearably. What if it is beginning already? Can this really be the beginning of my punishment? (76) Intense self-condemnation leads Raskolnikov to new lows: In his soul he was tormentingly conscious of a dreary feeling of eternal loneliness and estrangement. (87) Even though he is conscious of his situation, Raskolnikov rejects all offers of help, friendship, and support. He had cut himself off from everybody and withdrawn so completely into himself that he now shrank from every kind of contact. (1) He is so guilt-ridden that he expects impending accusation from everyone, and is thus unable to trust anyoneeven his mother and sister.The city of St. Petersburg adds to Raskolnikovs oppression and alienation. It is dirty and crowded and the people are poor. The intense, stifling July heat contributes to the claustrophobia, and causes the smell of sewage to pervade the city. The stuffiness, the jostling crowds, the bricks and mortar, scaffolding and dust everywhere, and that peculiar summer stench all combined to aggravate the disturbance of the young mans nerves. (2) There is no way Raskolnikov can be free of his physical and mental oppression while remaining in the city.Raskolnikovs only escape from his mental prison is his dreams. Their hallucinatory quality is a far cry from the citys dirty bustle and the murderers guilty conscience. He [loses] himself in a maze of waking dreams (58) that represent the antithesis of his worldan Egyptian oasis, clear and cool water running over brightly colored stones. The b right, pure dream imagery has biblical resonance. The clean water, contrasted to St. Petersburgs dirty diseased canals, represents the pure baptismal water of the New Testament: And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. (Revelations 22:1) However, even his dreams are invaded by the claustrophobic imagery of his doomed reality. During one delirious hallucination, A fly woke up, bumped against the window pane, and set up a whining buzz. (235) This same fly appears when Raskolnikov wakes from his dream: Only a large fly buzzed and bumped against the pane. (236) Like the trapped fly, Raskolnikov is trapped within the confines of St. Petersburg and of his tormented, guilty conscience.Thus, the only way Raskolnikov can escape his doomed existence is to leave St. Petersburg and morally cleanse his conscience through confession. Confession is the biblical path to redemption: If we confess our sins, he is faithful a nd just to forgive us our sins, and to cleanse us from all unrighteousness. (1 John 1:9) Confession is also linked to baptismal purification, and the wide, solitary river (463) in the Siberian prison camp is suggestive of the Jordans biblical significance: and [they] were all baptized of him in the river of Jordan, confessing their sins. (Mark 1:5)However, it is difficult for Raskolnikov to actually confess. Once he does, he finds himself reliving his murderous act: the moment had come This moment felt to him terribly like that other, when he had stood behind the old woman, after he had freed the axe from its loop. (345) Raskolnikovs confession allows him to cross the boundaries he has been struggling with since committing the crime. But even if the confession acts as a catharsis for his mental anguish, he still must escape from the claustrophobic confines of St. Petersburg. Porfiry, the policeman who is following the psychological aspects of Raskolnikovs case, tells the criminal th at after a legal confession, after he does what justice demands you will regain your self esteem. Now you need only air, air, air! (388-9) Porfiry recognizes that Raskolnikov is both mentally and physically stifled in St. Petersburg. Raskolnikov asks Porfiry, What sort of prophet are you? (389) It is interesting to note that Porfiry, the policeman who will send the criminal to Siberia, is seen as the prophet who will send him to the land of redemption. While it is paradoxical that Raskolnikovs land of redemption is in fact a Siberian prison, Siberia proves infinitely less confining than St. Petersburg and, moreover, it is the mental rather than physical oppression from which Raskolnikov must escape. Despite the physical encumbrance of his crowded little room, he feels refreshed and renewed once a legal confession is imminent. A way out had been found! Until this, everything had been too oppressive and confining, had crushed him with its overwhelming weight he had begun to feel suff ocated and hemmed in, without escape he could not live alone with such a deed on his mind! (376-7)Once he is imprisoned in Siberia, Raskolnikov still struggles to attain complete redemption. He watches the nomads tents across the river. Freedom was there, there other people lived, so utterly unlike those on this side of the river that it seemed as though with them time had stood still, and the age of Abraham and his flocks was still present. (463) This alludes to John 8:32-33: and you will know the truth, and the truth will make you free. They answered him, We are descendants of Abraham and have never been slaves to anyone. What do you mean by saying, You will be made free?' Raskolnikov seems unable to fully achieve his freedoman anguished longing disturbed and tormented him. (463) However, all of a sudden, how it happened he himself did not know (463), he attains the one element lacking from his redemption: love. He loved her, he loved her forever, and now at last, the moment had come (463) The importance of the moment recalls the moment of the crime and the moment of confession, which have somehow become entangled in Raskolnikovs mind. Now, he is referring to the moment of redemption, a perfect resurrection into a new life. Love had raised them from the dead. (463) The biblical language indicates a final, complete redemption. Jesus says, they that have done good, unto the resurrection of life; and they that have done evil, unto the resurrection of damnation. (John 5:29) Raskolnikov is thus redeemed through love and resurrected, as proved by the numerous textual references to the raising of Lazarus. Like Marthas confirmation of her faith in the Lazarus story, Raskolnikovs realization of his love for Sonya leads to resurrection and renewal.Both Karl and Raskolnikov attain spatial freedom from their claustrophobic lives. Of course, we cannot be sure that Oklahoma will be the promised land Karl expects, since Kafka never finished the novel, but the imagery of l imitless landscapes that we are left with suggests that Karls quest will soon come to fruition. Like the Jews leaving Egypt, Karl leaves a land of slave labor for unknown but promising territory. Raskolnikov, however, knows where he is headed but has trouble getting there. The moment of his confession and his realization of love finally allow him access to redemption, and as his delirious and guilt-ridden persona dies, one of love and gradual regeneration (465) is created. Like the gospels preach, confession purges ones sins and leads to renewal; thus Raskolnikov, despite being physically imprisoned, is emotionally redeemed and can now strive for a new life.

Universal and Diagnostic Screening in Setting SLO Goals

Teacher evaluation programs require that teachers set student learning objectives (SLOs) using data that can help target instruction for the academic school year. Teachers should use multiple sources of data in developing their SLOs in order to demonstrate student growth over an academic school year. One source of data for teachers can be found in the data that is collected from screening in Response to Intervention (RTI) programs. RTI is a multi-tier approach that allows educators to   identify and then support students with specific learning and behavior needs. The RTI process begins with the use of a universal screen   of all students.   A  universal screen  is an assessment which has already been determined to be a reliable assessment of a specific skill. Universal screens are designated as those assessments that are: Accessible to all studentsGiven to all studentsSkill and concept specific  Easy to administer and scoreQuick turn-around time (1-3 days) of aggregated and disaggregated data to classroom teachersRepeatableReliable (Note: A â€Å"teacher-made† assessment cannot be referred to as reliable if it has not been analyzed by a psychometrician) Source: State of CT, Department of Education, SERC Examples of universal screens used in education at the secondary level are:  Acuity,  AIMSweb, Classworks, FAST, IOWAs, and STAR; some states, such as NY, use the DRP as well. Once the data has been reviewed from universal screening, educators may want to use a  diagnostic screen  to measure students understanding of a subject area or skills base  after a universal screen has revealed specific areas of strength or weakness for a student.   The characteristics of diagnostic assessments are that they are: Given to selected students  Reliable   Valid  (Note: A â€Å"teacher-made† assessment cannot be referred to as reliable or valid if it has not been analyzed by a psychometrician) Source: State of CT, Department of Education, SERC Examples of diagnostic assessments include  Behavior Assessment Scale for Children (BASC-2); Childrens Depression Inventory, Connors Rating Scales. NOTE: Some results may not be shared for the purposes of developing SLOs for the classroom teachers, but may be used for education specialists such as school social worker or psychologist. The data from universal screens and diagnostic screens are critical components of the RTI programs in schools, and this data, when available, can help in refining developing teacher SLOs. Of course, teachers may create their own benchmark assessments to act as a baseline. These benchmark assessments are used frequently, but because they are often teacher created they should be cross-referenced with universal and diagnostic screens if available. Teacher created materials are imperfect or may even be invalid if students underperform or if skills are incorrectly accessed. At the secondary level, teachers may look at quantitative  data  (expressed in numbers, measurable)  from prior years: Standardized test results (State, SAT, ACT, NAEP);Report card grades (letter value or percentage);Attendance records. There may be qualitative  data  (expressed in description, observable)  also in the form of recorded observations by teacher(s) and  support staff or in prior report card comments.This form of comparison through multiple measures that are qualitative and quantitative is called triangulation: Triangulation  is the process of using multiple data sources to address a particular question or problem and using evidence from each source to illuminate or temper evidence from the other sources. In triangulating data to develop a SLO, a teacher make an informed decision on the student learning objectives that to help improve either an individual student or group of students performance.     All of these forms of assessment including those from the prior year, which may include universal or diagnostic screens, can provide teachers with the data to begin to develop well-informed SLO goals at the beginning of the school year in order to target instruction for multi-tiered student improvement for the entire academic year.

The Old Mill Hotel - 1465 Words

The Old Mill hotel is not just a hotel it is a hotel full of great history and a lot of experience in the industry. It has great sightseeing places like lakes, waterfall, and it is located in a very good neighbourhood. With these being said, there should not have been any sudden reduction in sales or people that stay in the hotel. But as a young consumer we can see areas in which the hotel is lacing. According to the information given to us in class, we see that those who visit the hotel mostly are 65 years old and above (Professor Victor, Blackboard). Does that mean that because most of their customers are dead that is why they have low revenue? And if that is the case, how can they attract young adult and middle age to come to their hotel? These are the question I will focus on in order to reveal the areas they can increase their revenue. According to 2014 statistic, the majority of those living in the area 19% are 80 years old and above, 9% are ages 70 – 79, 10.3% are ages 60 – 69, and 11.5% are from ages 50 -59. Furthermore, 53% are female while 47% are male. The rates of children have decrease over the years, and majority of the young once living there are going to school (mostly college and university). In addition to that, 55.4% are renting a house while 46.6% own a house they pay an average mortgage of $1000 per month. 88% own a car, truck and bicycle. (abbotsford.ca/Assets/2014+Abbotsford/Planning+and+Development/Planning/Statistics/2014). According to thisShow MoreRelatedThe Importance Of Tourism For Economic Growth Essay1740 Words   |  7 Pagesresearch supported the economic income generated in 2009 by the more than 3 million visitors was more than 13 billion dollars (p.18). There are about 150 hotels in Cancun with 26,000 rooms. 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Renaissance Quizz Essay Research Paper Example For Students

Renaissance Quizz Essay Research Paper Renaissance What was one of the chief aims of Italian Renaissance art? Realistic portrayal of individual persons, especially the human nude What was considered to be most important in education of Christian Ladies? Domesticity or asceticism What is a fresco? Method of painting water-based pigments on freshly applied plaster, usually on wall surfaces. What was the purpose of liberal education? Liberal studies were viewed as the key to freedom, which allowed humans to achieve heir goals and reach their full potential. What was the aim off humanist education? Humanist education was thought as being an important factor to the preparation of life. Its main goal was to improve the lives of citizens and help their communities. What did Donated do in Rome? With Michelson he produced a series of works, including the tomb of Pope John XIII in the Baptistery, Florence, and the tomb of Cardinal Britannica in S. Angelo a Nil, Naples. What was Renaissance art influenced by? Humanism What did Renaissance artists seek to imitate? They tried to imitate nature and real life in their work. In politics, the Renaissance contributed the development of the conventions of diplomacy, and in science an increased reliance on observation. Historians often argue this intellectual transformation was a bridge between the Middle Ages and the Modern era. Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic placements and the contributions of such polymaths as Leonardo dad Vinci and Michelangelo, who inspired the term Renaissance man. As a cultural movement, it encompassed innovative flowering of Latin and vernacular literatures, beginning with the 14th-century resurgence of learning based on classical sources, which contemporaries credited to Patriarch, the development of linear perspective and other techniques of rendering a more natural reality in painting, and gradual but widespread educational reform. Renaissance quiz By legislation